Naturalism
Pattern Language
A
Pattern Language, by
Christopher Alexander is an explanation on how society and nature are
intertwined by some type of pattern language. A pattern language, based on my
understanding, is the series of connections similar as to a web. When an issue arises,
it is most likely not a sole issue in of itself; more than likely, it stems off
of other branches, and has roots deeper than can be seen.
One quote struck me
in particular: "...When you build a thing you cannot merely build that
thing in isolation, but you must also repair the world around it, and within
it, so that the larger world at that one place becomes more coherent, and
whole..."
If
I were to explain a personal pattern that presents to me as an issue in current
times, I would use the idea shown in the text:
60.
ACCESSIBLE GREEN
In
order to solve for the problem of accessible green; that is, providing each and
every person in a claustrophobic polluted city with the feeling of a great
grassy plain, one would have to consider multitude of connections, not only
where to source this item. Accessible green is connected to subculture boundary
– that is, what is the physical distance to claim that the green is
inaccessible? Neighborhood boundaries (14, Identifiable Neighborhoods), zip code
locations, phone area codes, ethnic backgrounds can create physical or imaginary
blockades. Even larger than that, what is the circulation path for the working
class? (41 Work Community)
After the large branches of the site analysis are brushed away, you may find
the smaller, younger branches of the web. This would relate closer to the
detailed design of the green space itself – what amenities can be provided not
only for the targeted audience, but for the adjacent beings living in this are?
191.
THE SHAPE OF INDOOR SPACE
In an attempt to play the devil’s advocate, I also want to
state that pattern and structure can lead to constriction and asphyxiation. A
pattern itself can be the issue that requires a solution. A mundane routine,
often a source of structure and stability for people, can also be seen as
mundane to others. In order to fight the mundanity of daily life, and to extend
human’s lifespan by affecting their homes, Shusaku Arakawa and Madeline Gins have
created the architectural idea of Reversible Destiny. By fighting the pattern of
regulated, monotonous indoor space, they were able to create architecture that increased
mental and physical stimulation, and resulted in the prolongation of one’s
life. A constant state of instability allowed for the mind and body to continue
to develop long after younger years. And in a way, this anti-pattern depiction
of architecture sticks in my head.
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